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Issue One

Blog

Amaya Gentry

Monsters in the Woods We moved to a place where there’s monsters in the woods: Roosters in the shape of giraffes (rooraffes), a wendigo with a strawberry pink coat. They’re unsettling, manageable, except for one. That one is me. Not metaphorically, no this one wears my face. She stares at me from the clearing in the backyard, surrounded by a wall of trees. Maybe it’d be fine if it was only at night, (it wouldn’t) but I see them during the day. No one makes comments on them, e

13 Horror Prompts

A conversation between your childhood fear and your biggest fear now. What do they look like, sound like? Do they get along? Are they protective of you or seek to hurt you? A renowned artist (does not matter their preferred medium—painting, sculpture, writing) is being hounded to make something new, yet suddenly they can only draw, create, or write the same thing over and over again; there may be small distinctions but it is the same every time. What is it that they are creat

About Me: Why Am I Here?

The written word, the drawn image, the meticulously researched conclusion. These, made by others or myself, have built me, gifted me with the eyes to see the beauty in what I fear, the loss I have felt, and the obsessions with which I could never part. This magazine is a love letter to such creativity. This magazine is a love letter to fear. Fear is most of me, it infests every moment, is the genesis or reckoning of every other emotion; yet I am not unhappy as a result becaus

About

PiranesiCarceriXIV.jpg

Piranesi, Giovanni Battista. The Gothic Arch, plate XIV, from the series Carceri d’invenzione. 1749–60, etching and engraving. Fine Arts Museums of San Francisco. 

"I became possessed with the keenest curiosity about the whirl itself. I positively felt a wish to explore its depths, even at the sacrifice I was going to make; and my principal grief was that I should never be able to tell my old companions on shore about the mysteries I should see."

― Edgar Allan Poe, A Descent into the Maelstrom

What do you see, hear, feel, and think in the moments before you drift to sleep; when you startle awake to the feeling of falling, of colliding with the ground you did not know was so far from your teetering body?

Short stories, poems, visual art, and scholarly articles on horror, surrealism, grief, existentialism, the self, the other, the body, the mind, fear, etc.

What parts of you, parts of life, do you hate, love, want to amputate, to study, to burn, to miss and grieve? I want those pieces of you.

I want to freeze you in place until all of your ideas can be extracted and loved.

 

God, it would take centuries, wouldn’t it?

To siphon the good and the bad, to revel in them the way they deserve, the way you deserve.

That would take too long.

So send me a fraction, minuscule gradients, ideas long and short but never long or short enough to emphasize—life, the self, the external, the internal, space, Earth, thought, action, conscious, unconscious—importance or lack thereof.

I want a fraction of you to be a fraction of me.

Your bones and my bones made into a wind chime. 

Submission Guidelines

Email: gravehypnagogia@gmail.com
*this is the best way to reach me

  • What to submit

    • .docx for any written work or high quality .jpg for any visual artwork; for everything add a small blurb about yourself and why I should want this chunk of your brain on my dinner plate.

    • Times New Roman, double-spaced, one inch margins.

    • If you send a scholarly article, please make sure every source used is properly cited.

    • Less than approx. 10k words (willing to have an editorial dialogue about cutting things down if you believe in it and I find that I agree).

    • No AI—it is slop and I am not a hog.

  • How to submit

    • Fill out the contact form below which emails me or you can simply cut out the middle man and email me.

Want to be part of or receive my first issue? Fill out the contact form to join me on this journey.

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